A special concert to celebrate the lives of late Hong Kong singer-actors Anita Mui and Leslie Cheung, 20 years after their passing. Program includes songs from these two giants, plus music rooted deep in Hong Kong culture and identity.

There will be an in-depth discussion about the upcoming Hong Kong On Screen Film Festival (HKOSFF), in an intimate setting.

Co-presented by: Global Hong Kong Studies @ UC, Hong Kong On Screen, Melnitz Movies

This film series features the extraordinary works of two documentary filmmakers – Evans Chan (陳耀成) and Chan Tze-woon (陳梓桓) -- who have chronicled Hong Kong’s two transitions (1997 and 2020) and major social protests in between. The four films are free and accessible to all online, each for 24 hours. Join us for a post-screening discussion with them in-person or online on March 3 at 9 pm (PST) at UCLA’s James Bridges Theater.

Film Screening Schedule:

Feb 10: Journey to Beijing 北征 by Evans Chan

Feb 17: Yellowing 亂世備忘 by Chan Tze-woon

Feb 24: We Have Boots 我們有雨靴 by Evans Chan

March 3: Blue Island 憂鬱之島 by Chan Tze-woon

Co-presented by: Global Hong Kong Studies @ UC, Hong Kong On Screen, Melnitz Movies

This film series features the extraordinary works of two documentary filmmakers – Evans Chan (陳耀成) and Chan Tze-woon (陳梓桓) -- who have chronicled Hong Kong’s two transitions (1997 and 2020) and major social protests in between. The four films are free and accessible to all online, each for 24 hours. Join us for a post-screening discussion with them in-person or online on March 3 at 9 pm (PST) at UCLA’s James Bridges Theater.

Film Screening Schedule:

Feb 10: Journey to Beijing 北征 by Evans Chan

Feb 17: Yellowing 亂世備忘 by Chan Tze-woon

Feb 24: We Have Boots 我們有雨靴 by Evans Chan

March 3: Blue Island 憂鬱之島 by Chan Tze-woon

Co-presented by: Global Hong Kong Studies @ UC, Hong Kong On Screen, Melnitz Movies

This film series features the extraordinary works of two documentary filmmakers – Evans Chan (陳耀成) and Chan Tze-woon (陳梓桓) -- who have chronicled Hong Kong’s two transitions (1997 and 2020) and major social protests in between. The four films are free and accessible to all online, each for 24 hours. Join us for a post-screening discussion with them in-person or online on March 3 at 9 pm (PST) at UCLA’s James Bridges Theater.

Film Screening Schedule:

Feb 10: Journey to Beijing 北征 by Evans Chan

Feb 17: Yellowing 亂世備忘 by Chan Tze-woon

Feb 24: We Have Boots 我們有雨靴 by Evans Chan

March 3: Blue Island 憂鬱之島 by Chan Tze-woon

Co-presented by: Global Hong Kong Studies @ UC, Hong Kong On Screen, Melnitz Movies

This film series features the extraordinary works of two documentary filmmakers – Evans Chan (陳耀成) and Chan Tze-woon (陳梓桓) -- who have chronicled Hong Kong’s two transitions (1997 and 2020) and major social protests in between. The four films are free and accessible to all online, each for 24 hours. Join us for a post-screening discussion with them in-person or online on March 3 at 9 pm (PST) at UCLA’s James Bridges Theater.

Film Screening Schedule:

Feb 10: Journey to Beijing 北征 by Evans Chan

Feb 17: Yellowing 亂世備忘 by Chan Tze-woon

Feb 24: We Have Boots 我們有雨靴 by Evans Chan

March 3: Blue Island 憂鬱之島 by Chan Tze-woon

Hong Kong On Screen (HKOS) Los Angeles is proud to present a special in-person screening of KEEP ON ROLLING, produced by Ying E Chi, and to support this organization.

In the epidemic era, everything seems to be frozen. In fact, there are still many things we can do. Let’s keep rolling, captures the alienation and sorrow through the lens. In Same Boat, Yin's grandma had not returned to Xiamen for two years since the epidemic, Yin had to take care of her at home every day. They shared each other sentiments as if sitting on the same boat. Rubbish Ban sees a young man Genius dumped by his girlfriend because of a piece of garbage. His boss also told him to throw a cardboard box far away but he barely found any trash cans. Only then did he realize that the trash cans that used to be everywhere had totally disappeared. Is Hong Kong, which can't even hold a trash can, still the city that we used to be familiar with? In A Letter from Prison, film director James planned to write letters to Man to support him through his hard time in prison Although he was outside the wall, the freedom of his mind was also bound by invisible shackles. This made him question if the world is just another prison. April’s Interlude tells a story of a cosmetologist Shan under the shutdown of the epidemic. Her old friend suddenly appears, filling Shan's sense of loneliness. However, when learning about each other's life over years, Shan felt that the friend who returned after leaving Hong Kong had an incomprehensible detachment from what happened in Hong Kong in the past few years. In the end, Shan made a choice in the struggle between emotion and reason.

A 28-year-old IT geek, Hau, is a mediocre but warm-hearted introvert, who suddenly finds himself the object of affection for five attractive women within the same year. The quintet share virtually no similar traits except one quirky thing: they all live in remote corners of Hong Kong. Seeing our heartthrob’s struggles in getting there’s half the fun, though; all that travelling allows director Amos Why to offer his audience a chance to see and appreciate parts of the city they rarely get to experience.

2022 • 1 hr 56 min

Cantonese, with English subtitles

A Sunny Chan Film

Presented by Hong Kong On Screen